Why go
Tsalenjikha Cathedral rises from the Colchidian lowlands as Samegrelo's spiritual anchor, built between the 12th and 14th centuries when Georgian kings still claimed Byzantine craftsmen. Its treasure lies inside: frescoes painted in 1380 by Cyrus Emanuel Eugenicus, a Constantinopolitan master who fled the Ottoman advance and left his Greek signature beneath the Virgin—one of the rare surviving works by a named Palaeologan painter outside the empire's borders. The images glow with gold and lapis against crumbling plaster, a dialogue between Orthodox east and west frozen in pigment. You come for the name, stay for the silence, and leave understanding how Georgia once anchored the medieval world.